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Drop one MXF or two hundred. Batch conversion is not a paid feature here.
Footage from a broadcast camera, a Sony XDCAM or a Canon cinema body is an MXF that consumer software will not open.
The video essence, often XDCAM HD, DNxHD, AVC-Intra or ProRes, is re-encoded to H.264 and the multiple mono audio tracks are mixed down or mapped into a stereo AAC track.
Broadcast MXF files routinely carry four or eight separate mono audio channels, one per microphone, rather than a stereo mix. A default conversion takes the first two and silently drops the rest, so the presenter's lapel mic can vanish.
It is a wrapper standard with many operational patterns and vendor flavours. Two MXF files can be structured completely differently.
Not as broadcast timecode. MP4 has no equivalent field that editing software reads the same way.
Drop one MXF or two hundred. Batch conversion is not a paid feature here.
MPEG-4 Video is lossy, so the quality control decides the trade between size and fidelity.
Converted and deleted the moment it finishes. Never written to permanent storage.